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Hanamonogatari | Monogatari Series – Part 5

Similar to the style of the previous Monogatari series, Hanamonogatari quickly takes command and lures viewers in with its cleverly constructed dialogues. The on-screen text serves as both a practice and testament to get a viewer’s attention because viewers wants to know their meaning. They also want to know their purpose, idea, and in general the message of the show is about. Directed by Tomoyuki Itamura with Akiyuki Shinbo serving as the chief director, Hanamonogatari is aimed at fans who wants to see the continuation of this franchise. It’s rather important to get yourself familiarized with the previous seasons such as Monogatari Second Series so that the experience will be that much better when venturing into this show.

It’s probably also said often that the show might not be for everyone. The style of Hanamonogatari has that avant- garde feeling with its style. But without jumping on the shark too hard, we also get a thrilling narration with referencing to the devil. Taglines such as “that person is a devilish one” and “the devil just might be me” drills a thrilling thought into a viewer’s mind.

It becomes like a puzzle with pieces that fit together. And in Hanamonogatari, those pieces come together with its cleverly crafted story. For starters, the show advertises itself with Suruga Kanbaru as the main event. Sporting an athletic set of clothes and matching personality, viewers will quickly find that she has fragile part of her essence. Perhaps this could be the arm that is bandaged with a story to tell. And this is where exactly Monogatari series shine – the ability to articulate its story and tell it to the viewers with cleverness. 

The show has a narrative-like tone and depicts Kanbaru’s side of the story. Despite taking place after Araragi’s graduation, several key characters make their presence well-known. A tragic example would be Rouka Numachi. Not only do we learn more about her past but also witness her influence in the present. Numachi’s rivalry with Kanbaru is perhaps a highlight in this show as it consists a variety of emotions; fear, anxiety, fiery, just to name a few. On the other hand, Numachi herself experiences pain but tries to ease it away through her own methods by delivering misfortunes. It justifies her own beliefs to make herself feel better despite her injury. After several events that intertwines the story collectively, the show highlights a climatic moments as Kanbaru fights against Numachi in a game of competitive sport. The show takes risks during this by introducing characters in sequence leading up to the moment with the anticipation and built-up. And thanks to Shaft’s extravagant style, the game lives up to its promise with innovative creativity. 

Character dynamics is a key success with this series’ presentation. Despite the fictional story with Kanbaru, her past is very realistic. From minute one, the show commands attention with Kanbaru’s mother and the cruel words she strikes upon her daughter. Not only do we find out about herself as a character but also what she is capable of as a person. This is what exactly makes the show so appealing and attractive. Luckily, there are also characters returning to this series that fans may find most welcoming. Their roles also play both humorous and important parts to enhance the story’s overall direction.

Similar to the other seasons within the Monogatari series, expect word plays and extensive dialogues. Thanks to the clever writing, you won’t get massive amount of mind indulging info dumps. Instead, what you will expect and receive is stylized dialogues with attractive interactions. The characters react with precision while also detailing their emotional appeal. At the same time, the dialogues themselves have deeper meaning and motifs; which in itself is dope.

Hanamonogatari has a similar feeling as its previous seasons. By that, I mean it as fantastic. Characters are designed artistically with distinctive features. Kanbaru in particular has a tasteful design and reflects her character visually with attentiveness. Fan service also returns of course with high class style. Unlike most ecchi shows that draws their appeal from cliché values, Monogatari applies exactly what’s needed to command attention. Ultimately, Shaft gets the job done not only just with its head-tilts but ability to describe and tell what the story is with the characters.

Soundtrack is put up with more of as a supplement appeal. The OST hits home base with its purpose by anticipating certain scenarios while climatic scenes weaves a mystical aura. Also, like all the many things the Monogatari Series does well at, is having stellar OPs and EDs. “The Last Day of My Adolescence” by Miyuki Sawashiro who so happens to play Suruga Kanbaru is wonderful. And the ED “Hana Ato: Shirushi” by Marina Kawano also has a wonderful vibe and general feel. It’s very appealing to the ears that is for certain.

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